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POLAR BEAR – Peepers PDF Print E-mail
Tuesday, 09 February 2010

Image(Leaf)

UK instrumental quintet carry on pushing the jazz envelope

Led by drummer Seb Rochford, London’s Polar Bear play heavily improvised music some have labelled ‘post-jazz’. PB’s undoubtable chops and crossover appeal have brought recognition with 2005’s Mercury Prize-nominated Held On The Tips Of The Fingers, yet they largely shun commercial success, instead concentrating on exploring the rhythmic and melodic possibilities of a somewhat unconventional (for jazz) two-saxophone, guitar, bass and drums format. Peepers, the five-piece’s fourth album, carries a distinct Lounge Lizards feel with nary an echo of Arto Lindsay’s avant-guitar scratches or John Lurie’s spy-movie sax – this is 21st century jazz, groovy without being cheesy and edgy without being sinister. An established folktronica artist in his own right, guitarist Leafcutter John’s approach is a lot more post/math-rock than jazz while Tom Herbert’s deep double bass anchors saxophonists Pete Wareham and Mark Lockheart’s alternately frenzied/subdued solos. Rochford, however, is the band’s star muso – his propulsive work on the energetic opener Happy For You and funky title track makes them the album’s most head-nodding moments, while on slower tracks like The Love Didn’t Go Anywhere and Finding Our Feet he keeps the pulse ticking with the subtlest of hi-hat brushings. All of the above makes Peepers an intriguing and rewarding listening experience.

DENIS SEMCHENKO




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Last Updated ( Tuesday, 16 February 2010 )
 
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